The Story

The story concerns the struggle for moral agency in post-Covid years, folded into a cozy mystery novel set in multiple locations in New York City.

The primary scene of the crimes is an imaginal Fifth Avenue non-profit, The Manhattan Writers Center. Suspects comprise residents of its Women’s Poetry Fellowship and board members. Amateur sleuths are loosely inspired by Gertrude Stein and Alice B. Toklas.

Characters

Manhattan Writers Center Staff
Charles Balin-Pelham, Executive Director
Madolin Cohen Blum, Program Director
Astrid Adams, Administrator

Women’s Poetry Fellowship Resident Fellows
Hesther Blum, Celebrated Poet
Priscilla Underwood, Southern States Poet Laureate
Aeisha, Camden, New Jersey
Abbie Bleuet, Brattleboro, Vermont
Cyra Bilal, Contributing Editor, Al-Khansa (in exile)

Writers Center Board‘ Executive Committee
Carole Newman, Board and Executive Committee Chair
Julie Carew, Vice Chair
Arnold, Board Treasurer
Raz McKenna, Member and Novelist
Keith Blakemore , Member, Actor, Entrepreneur

25th Precinct
Dawkins, Detective Lieutenant
Emily Gold, Detective and Madolin’s Second Cousin

& Incidental Characters

The Master Apartments

Chapters

BOOK ONE  

Chapter One: The Dream

Chapter Two: Installation of the Fellows

Chapter Three: Scene of the Crime   

Chapter Four: The Master     

Chapter Five: Mt. Sinai Hospital       

Chapter Six: Second Cousins

Chapter Seven: First Fellows Lunch 

Chapter Eight: First Executive Committee Meeting 

Chapter Nine: Saturday Supper         

Chapter Ten: The Lounge     

Chapter Eleven: West Village Halloween Parade     

Chapter Twelve: Holiday Party Recital        

BOOK TWO  

Chapter Thirteen: Christmas in Central Park

Chapter Fourteen: Second Fellows Lunch    

Chapter Fifteen: Second Executive Committee        

Chapter Sixteen: A BBQ in Harlem  

Chapter Seventeen: Hanky Panky     

Chapter Eighteen: Change of Season

Chapter Nineteen: Three Times Lucky         

BOOK THREE

Chapter Twenty: Green-Wood Cemetery     

Chapter Twenty-one: The Interim     

Chapter Twenty-two: A Visit to Arnie          

Chapter Twenty-three: 25th Precinct

Chapter Twenty-four: Goings On

Chapter Twenty-five: A Cup of Tea  

BOOK FOUR

Chapter Twenty-six: In Search of a Scream  

Chapter Twenty-seven: First Anagnorisis     

Chapter Twenty-eight: The Back Story        

Chapter Twenty-nine: The Loo

Chapter Thirty: The Things You Can Hear! 

Chapter Thirty-one: Brooklyn

Chapter Thirty-two: The Interview   

Chapter Thirty-three: Cyra & Abby  

Chapter Thirty-four: Settling Accounts         

Chapter Thirty-five: Farewell to the Fellows

Chapter Thirty-six: The Signature     

Epigraphs

“Moral injury is present when there has been a betrayal of what is morally correct by someone who holds legitimate authority in a high-stakes situation” and “perpetrating, failing to prevent, bearing witness to acts that ultimately transgress one’s deeply held moral beliefs.”
Jonathan Shay; JM Currier et al.

“Moral injury is at once trauma and poetic injustice.”
— M. Tancred

“It is not what is criminal that costs the most to say, it is what is most absurd and shameful. Had I been left to myself, I should infallibly have declared the truth.”
— Rousseau (author’s translation)